[…] It’s hard to imagine a more capable soloist in Shostakovich’s Second Violin Concerto than Christian Tetzlaff, although “capable” barely scratches the surface of his virtuosity. […] Tetzlaff caught every nuance, his tone now dark and mournful, now lyrical or rough and abrasive. […]

Evening Standard, January 20, 2022, by Nick Kimberley